Suzhou — Silk & Su Xiu
The Venice of China, where embroiderers split a single silk thread into 64 filaments. Our scarves and robes come from three family ateliers around the old city's canals.
We exist for one reason: so that techniques refined over a thousand years can pay a master's bills today — and reach a home in Portland, Munich or Sydney next week.
Shanghai Curios began with a simple observation: the most beautiful objects in China were increasingly being made for nobody. Master embroiderers in their seventies had no apprentices; Jingdezhen kilns survived on export orders that erased the maker's name.
We built the opposite of a trading company. We work with 42 workshops under long-term partnership, pay above-market rates, and put the artisan's name on every object. In return, they make only their best work — the pieces they would once have presented to the imperial court.
Explore Their WorkThe Venice of China, where embroiderers split a single silk thread into 64 filaments. Our scarves and robes come from three family ateliers around the old city's canals.
Porcelain capital for 1,700 years. Cobalt-blue tableware and tea ware are thrown, painted and glazed by hand, then kiln-fired above 1,300°C.
The luminous ivory-white porcelain the courts of Europe called "white gold." Thin-walled, jade-smooth, and fired from local kaolin found nowhere else.
Every order includes a signed certificate naming the artisan, workshop, technique and hours. A promise, not marketing.
No agents between us and the maker. Workshops receive a fixed price plus a bonus on every five-star review their work earns.
If it can't survive three generations with normal care, we don't sell it. Repairable forever through our workshop network.
“We do not sell to strangers. We send a piece of our family to yours.”— Master Chen Wei, Jingdezhen, 47 years at the wheel